Adorno’nun Sosyo-Politik Eleştirel Toplum Kuramı çerçevesinde Oniki Ton Müziği ve yabancılaşma - Twelve-Tone Music and alienation within the framework of Adorno's Socio-Political "Critical Thought" Theory - La Musique à Douze Tons et Aliénation dans le Cadre de la Théorie socio-politique de l'Art chez Adorno
DC FieldValueLanguage
dc.coverage.spatialVoyvoda Caddesi Toplantıları 2004-2005- Voyvoda Street Meetings 2004-2005 - Les Réunions de la Rue Voyvoda 2004-2005-
dc.creatorKıvılcım Yıldız Şenürkmez-
dc.date.accessioned2018-10-11T11:02:06Z-
dc.date.available2018-10-11T11:02:06Z-
dc.date.issued2005-02-16-
dc.identifierECOBARCE064-
dc.identifier.urihttps://archives.saltresearch.org/handle/123456789/146608-
dc.languageTürkçe - Turkish-
dc.relationECOBARCE002-
dc.rightsOpen Access-
dc.subjectTheodor Adorno-
dc.subjectMüzik-
dc.subjectMusic-
dc.titleAdorno’nun Sosyo-Politik Eleştirel Toplum Kuramı çerçevesinde Oniki Ton Müziği ve yabancılaşma - Twelve-Tone Music and alienation within the framework of Adorno's Socio-Political "Critical Thought" Theory - La Musique à Douze Tons et Aliénation dans le Cadre de la Théorie socio-politique de l'Art chez Adorno-
dc.typeDijital belge - Digital document-
dc.locationSALT Research-
dc.catalogedbyEbru Öztürk-
dc.date.cataloged2017-11-27-
dcterms.accrualMethodTransfer-
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